Monday, October 13, 2014

Our Cross to Bear


 

Why do people go to the theatre or attend performance art pieces?  There is something special-- something electrifying--in the air during a compelling theatrical performance.  This is because the audience and performers share the experience together.  Peggy Phelan writes in her article that    “…technologies can give us something that closely resembles the live event, but they remain something other than live performance…streaming video functions in the way a still photograph works: it conveys the work but it is not the live event itself”(575).  Cinema may move us but live performance, compelling works, literally change us because we experience it with the performers…there is a give and take during live performance.  During the run of our recent production of Frankenstein, a woman was moved in the audience when the creature accidently killed little William.  She shouted, “He’s only a child!”, and Brendan Averett told us back stage that it jarred him and affected his performance.  Another recent example was during rehearsal.  Nick Erickson was working with Tim and Brendan.  As Brendan “threw” Tim over the chaise lounge, many of the cast members grimaced and audibly reacted to Tim’s landing.  It sounded as if Tim hit his head on the chaise before he made contact with the ground.  Tim looked out into the house and wondered why we reacted in such a way.  He assured us he didn’t hurt himself.  Both performer and artist share what happens in the space.

When I lived in New York City, I was lucky to come across some comp tickets to see a Wooster Group production, “House/Lights”.  I don’t pretend to understand what I saw, but I cannot forget the experience.  It was an eclectic production of voice overs, sound and special lighting effects, physical theatre, some intermittent text, moving set pieces, and probably more.  Without the performers, the piece would not have the same effect I don’t think.  The juxtaposition of the performers with the multi-media effects moved me.  I felt chilled, aroused, spooked, intrigued, and even guilty for seeing what was before me.  When used correctly, technology can be an invigorating element to theatre or performance art, but I don’t believe technology could ever replace live performance.  Even if it does, the lively spark we experience in the space, those moments from a live performance will be lost and never experienced…which would be very sad.  Phelan goes on to say:
The potential for the event to be transformed in unscripted ways by those participating (both the artists and the viewers) makes it more exciting to me…The possibility of mutual transformation of both the observer and the performer within the enactment of the live event is extraordinarily important, because this is the point where the aesthetic joins the ethical. The ethical is fundamentally related to live art because both are arenas for the unpredictable force of the social event.

Try to articulate your experience during this clip of the Wooster Group in performance.  Then imagine the event multiplied ten times (x10) since you are not experiencing it live:


The tragic event of 9/11 comes to mind when thinking of a “media-built experience”.  At the time of the incident, I was still a sophomore in college.  All day, the news stations were playing the recorded footage of the planes flying into the World Trade Center.  One of our theatre professors rolled out a TV in the lobby for everyone to watch the footage throughout the day.  The image of the planes crashing and the towers collapsing are still burned in my head.  When I moved to New York four years later and visited the World Trade Center Memorial, I was moved by a single steel cross—attached to a cement block--that was left on site from the rubble.  I suddenly remembered all the news media clips and photographs from the event, the anniversary ceremonies, and coverage about 9/11 all at once. I’m not sure I would have had the same reaction without the prior exposure to the live footage. Technology can be very powerful.  I think it can have a dramatic effect in live performance and should be used smartly.  Otherwise, all that will be experienced is white noise…

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